Austin, Texas

I'm here in Austin, Texas to be a support for my friend as she awaits the birth of her first baby. I thought the first time I'd come to Austin would be to perform in some cool jazz club, but the universe had different plans for me!! My friend is a little over two weeks overdue and very much ready to have this little creature come out and introduce itself. But he/she is taking its sweet little time!! We got up at 4am today in order to be at the hospital to start inducing her labor. When we got there at 5am they sent us back home because they didn't have any beds available for her. It is now almost 10am and still we are here, waiting to hear from them so we can go and get her started on the path of labor. It just goes to show that nothing and no one is in control of any situation. Things just happen as they are supposed to and we all have to learn patience and keep our senses of humor in the process.

This brings back so many memories of my own pregnancies and labor and boy am I glad that part of my life is over. This is truly a beautiful experience to be able to be a part of my friend and her husband's new baby's life. I feel honored that they both want me in the labor and delivery rooms with them. She was supposed to have a home birth but because the baby is so late it was decided that there needed to be some help in convincing it to come out. IU'm really hoping that he/she decides to enter this world before I have to leave tomorrow night. I'd hate not having the opportunity to meet my "nephew/niece" (I'm honorary "zia"--auntie in Italian)

Austin is a nice city, from what I've seen of it. It is quickly being developed to accommodate all the people moving here for business. There are buildings being constructed all over the town and tons of pregnant women ready to populate the city even more!! I swear there's something in the water here that makes women more fertile! Luckily I don't have to worry about that happening to me! :) I do hope, however, I get the opportunity to come back and perform here. I've applied for the SXSW festival for next year and hope my group is chosen to be one of the performers. If we get the gig then I'll try to book other gigs in the area while here such as in Houston, San Antonio and beyond. It all depends on how finances look at the time. Right now my main focus is to work out a deal with some people on the east coast so we can go out and perform in Massachusetts, Wash, DC, NYC and the likes. We'll see if that pans out for next year. i really hope so.

Okay, time to go and practice my Sephardic music while I can. The first rehearsal is this coming Monday night and I want to be ready! Ciao.

Time is passing and the Sephardic Music Experience premiere concert is quickly approaching. The challenge is always how to create enough time and space to learn the new material while still trying to make a living teaching and gigging. I took a substitute teaching job at the JCC in San Francisco for the next few weeks. I had never taught preschoolers music before and it is definitely a fun experience. These children are so incredibly wide open to the experience of sound and movement. It is truly a pleasure to see their faces light up when they have a chance to play instruments and learn new songs. Where along the path do the children begin to get jaded about all of this? When does the novelty and excitement wear off? And how can we as parents and adults help to keep refreshing the adventure of music for our children? Maybe it's when the parents start telling their kids to practice. Or maybe we just have so many stimulations for our children that they can't do everything. I really don't know the answer, but I do find it interesting to see how different parts of our experiences change and sometimes shut down as we get older.

Ten new songs have been arranged for my new Sephardic project. All the charts, however, have not yet been sent to me so I'm beginning to get nervous that the musicians won't have enough time to learn all of the material. BUT, I also need to remind myself that I have chosen a group of musicians who are very talented and dedicated to their art and will do a fine job on Oct. 5th--and beyond. I am the one who is nervous about my own personal performance. Some of the songs are quite challenging for me and learning all of these lyrics can also get overwhelming at times. But I know this is my process: I obsess and obsess and obsess until the music encompasses my entire being. I listen to nothing else but the Sephardic music now so I won't be influenced by anything else. I guess it''s like an actor immersing him or herself in their role, I'm immersing myself in the Sephardic music so I can present it as authentically and honestly as I am capable.

Yesterday I attended a Town Hall Meeting in San Jose that was run by the Center For Cultural Innovation (www.cciarts.org/). San Jose has committed to helping artists in the South Bay. What does that mean exactly? Well, they have realized that the arts and music scene has deteriorated significantly enough in their community that they need to find ways to entice artists to stay and other artists to want to come to San Jose. They are looking at ways to better support the artist by creating work/living spaces, more performances spaces, studios, possibly financial support. It all sound really good on paper, and spoken out loud, but can they do it? Can they really create an environment in the South Bay where people can actually survive as artists? It will be interesting to see if they can achieve this goal. I truly hope they can. Would I then move back to San Jose? I asked myself that question while at the meeting yesterday. The answer would have to be answered much further out in the future. Right now being in the East Bay is the best possible place for me. But anywhere that wants to support musicians and artists gets my vote!

Arranging the Old Into the New

Last night I met with David Pinto who is arranging two songs for my Sephardic Music Experience project. David is Susana Baca's bass player as well as musical director. He is an incredibly talented man who is very soft-spoken yet strong in his ideals of the music and how it should be performed. We met at my apartment where he brought his portable studio. He wanted me to record the vocals over the arrangements he had created in GarageBand. He has quite a nice little set-up and it was fun to see how detailed you can get with that program. I definitely need to learn how to use GarageBand to help me compose and arrange ideas I have for new songs.

Anyway!! The arrangements he has created are exquisite!! I am so excited about how this whole project is coming together. Each arranger--and I've engaged four different people--brings something completely unique to the table. My dream of creating a "world" sound for this music is being realized right before my eyes. I was worried that I might not like tackling all of this music, but I am infused with a new energy of pure unadulterated excitement! :) Now I can't wait to get all of the arrangements to the musicians and hear how it will all sound with live instruments. I feel like we are beginning to create something very special here and I look forward to presenting these pieces to the world. All that remains is making sure we get enough rehearsals in so we can present the music how it is meant to be played.

Labor Day Weekend. I can't believe it is already fast approaching. Next week I will take on a substitute teaching gig at the JCC in San Francisco, teaching preschoolers music for a little over two weeks. I think it's going to be a blast working with such little guys, playing music and just generally having fun for a few hours each day. But first I have my first gig at Anna's Jazz Island in Berkeley this coming Sunday evening where I'll get to play with the quintet and SiNG!! I love performing with these guys so much because there is always some kind of magic that happens on stage. They are not afraid to take chances and explore the depths of the music. They constantly and continually inspire me to rise to higher levels within my own self and for that I am grateful.

Talent and Decency CAN go Hand in Hand!

One of the things I appreciate most about the people I work with, besides their incredible talent, is what nice people they are. I have certainly met some "divas" in this business who believe that because of their talent they can be rude to others. But not so with the people with whom I work. And that is for a reason; I won't work with nasty people. Why should I? To me there is a certain kind of energy that I want to surround myself with and if I am playing with a musician who is rude and full of him or herself, then they create a negative energy that does not generate good "vibes." I want to be able to come to a gig--or a recording session--knowing that I am surrounded by good positive energy. This way I think we all perform to a higher level. I have been told that if I want to play with some of the best musicians of the world then I will have to tolerate some nasty behavior. But I still say no! I would rather play with lesser known musicians who bring their true, good selves to the gig, than have to be agitated by divas.

So why am I talking about this? Did something happen recently that caused me to get all riled up about this? No!! :) I was just thinking this morning about what wonderful, decent musicians I work with and how incredibly blessed I am to be able to share the same stage with them. So it got me thinking about what my musical experience could have been like and I became even more grateful that I have surrounded myself with such talented and nice people. Is the BAy Area a unique place for this? I think not. The musicians I have met elsewhere have all shown me that decency abounds in the musical community worldwide. What a relief that is!!

Tonight I will be performing at the Village California Bistro in Santana Row in San Jose from 6-8:30pm. Joining me will be Murray Low on piano, Peter Barshay on acoustic bass and Michaelle Goerlitz on percussion. This is going to be a fun and eclectic night of music in an intimate venue where we can really shine close up and personal. Playing with these very talented musicians is inspiring and exciting. I'm really looking forward to singing in San Jose again and hope you will come out and support live music.

The Family Arts Bridge Camp was a fantastic experience. The camp was created to give families of all types, straight, single parent, gay, etc., a place to bring their families and feel accepted and comfortable to be who they are in a safe and loving environment. The bottom line is family and how much each of those families love and support their children. My friend Wendy brought up a really good point about "alternative" families: their children are more likely to be accepting of others as well as feel more comfortable--and supported--in exploring who they are as individuals. What I saw at the camp was a wonderfully tight community of people who deeply love their children and who are committed to giving them the best life possible. And it was evident in the way the children behaved and reached out to each other, becoming fast friends in the process.

My role as music teacher, drum circle leader and expressive arts practitioner was a blast. Everyone seemed to respond very positively to what I presented and the children were completely adorable in their enthusiasm and talent. I had a great time, met a lot of new people and experienced something a bit out of my own comfort range--which is always a good thing to do! I hope I am invited back there again for next year.

This month is proving to be a busy one for me. On Sunday I will be going up to Carson City with Wayne Wallace, Orlando Torriente, Carlos Caro and Javier Navarrette to once again perform with the Reno Jazz Orchestra. We will be the closing act for the Carson City Jazz Festival. Although we will travel the same day of the gig (4 hour drive), it should be a lot of fun to get to perform with this big band again.

I then come home the next day and then travel down to San Jose to the Village California Bistro in Santana Row on Tuesday to perform a couple of sets. This should be a lot of fun as well as I am playing with Murray Low, Peter Barshay and instead of Paul VW I'll be using Michaelle Goerlitz on percussion. I like switching things up to see what kinds of interesting new things occur on the gig. And besides, Michaelle is such a dream to work with--as are Murray and Peter--I know it will be a blast. AND I get to sing!! How much better can it get? :)

Reno Jazz Orchestra and now Gualala!

Going to perform with the Reno Jazz Orchestra was a blast. They have been together for 10 years and have created a non-profit organization out of their group. They are very well organized and a really fun group of guys to perform with. Orlando tore it up as the other lead singer. He's got fantastic stage presence and really knows how to work an audience. We had such a fun time playing outdoors next to the Truckee River--so pretty. AND it was nice to be able to play in an area where smoking isn't allowed!! I now realize how lucky I am to live in California where smoking isn't allowed indoors. I literally was quite ill bu the time we left due to all the smoke in the hotel/casino where we stayed--yuck!!

This Wednesday I leave for Gualala, California to go and teach music at a the FAB Family Camp. It should be really fun. I'll get to work with children as well as adults at this camp and also be able to hang out in the redwoods for a few days. I'm looking forward to spending the weekend with these families. I will also get a chance to do some Expressive Arts workshops while I'm there. This is something I have been wanting to get more involved with and so this will be a great start for me. Hopefully when I get back I will be able to put together some more workshops that people might be interested in.

The Sephardic Music Experience concert series is moving along quite nicely. La Pena has given me the lobby space to display the art I want to have created for the Winter Solstice concert on Dec. 21. Now it's up to me to find a group of artists interested in creating these pieces. I think this is going to be a really fantastic combination of art and music and how we all need each other to create a more vibrant and cohesive existence. It's really fun putting these concerts together and making them into a reality. The music arrangements are going to be exquisite and I'm excited to get to play with a full group--7 of us--for each concert.

Sephardic Music

Last week I went to see Yosvany Terry perform with his group at La Pena Cultural Center. He was given a grant to develop music of the Arará tradition and it was an amazing concert. Pedro Martinez, along with Yosvany and all the other very talented musicians on stage, tore it up. Pedro is an incredibly talented percussionist as well as dynamic singer and he had the crowd going wild. The music had the crowd going wild. It was interesting to hear Yosvany talk about his research, following tradition, asking Sandy Perez for guidance and then creating jazz music over the rhythms of the Arará music. Needless to say it was very inspiring to hear as I am developing Sephardic music. As I research it more and more and learn more about the traditions of the many cultures that made up the Sephardic world, I am inspired to continue its development. But I am also inspired to put my own stamp on the music. For awhile I felt that I was tied to the tradition of the music and that I shouldn't stray far from what has already been established. But I now realize that is all wrong. I can almost guarantee that anyone approaching this music does so with their own flavor. And so why not me as well? :) I am a world jazz vocalist, interested in many different world rhythms and this music definitely lends itself to a world music sound. It has been influenced by many different countries all over the world and my goal is to show that in the repertoire of songs we are developing.

As of this writing there are now 3 Sephardic concerts that have been booked and confirmed. One at the De Young Museum on Oct. 5th, one at La Pena Cultural Center on the first night of Hanukah, Dec. 21, which also happens to be the Winter Solstice! and one at the Yerba Buena Gardens in May of 2009. These are all very high profile and prestigious concerts and I am thrilled to be able to bring this music to such varied audiences. I am still trying to book more concerts around the time of Hanukah and hope that we can perform this music throughout the Bay Area, but for now I am very content with what we have accomplished so far. I am also excited about the arrangements that are being developed and can't wait to add the music to my ever-growing repertoire of songs.

Next Wednesday, July 30, I perform with the Reno Jazz Orchestra along with Wayne Wallace, Orlando Torriente, Javier Navarrete and Carlos Caro. It should be a blast singing with a big orchestra like that. I've been diligently learning new songs for this gig and hope I don't forget the lyrics when I perform them!